BIO
Education :
Since 1992
Further training under the direction of Sleh El Bédoui (NL)
2003 - 2006
Studies at the ibkk, Institute for Visual Arts and Art Therapy in Bochum, among others with Era Freidzon
2005
Guest student in the advanced training with Prof. Chung Guang Yang, Anhui Art College / PR China
2006 - 2008
Master class with Prof. Dr. Qi Yang, Bochum
2007
Member of the «Kunstverein Duisburg».
2008
Academy diploma - concentration on painting
2008
Art projects in schools
2009/10
Advanced training with Prof. Dr. Qi Yang, painting
Exhibitions :
2021
"A child's soul", Gallery Géraldine Banier, Paris (F)
«GanzFreiNeun» (G)
Members exhibition Kunstverein Duisburg Duisburg Art Association
«nature-remembers»
Claudia Ebbing, painting (E)
Exhibition-Installations
In the context of a scholarship of the
Ministry for Culture and Science of the State of NRW Barnsfeld, 46342 Velen
«4.one Roots» (G)
Duisburg Art Association
Claudia Ebbing, Maren Goldenbaum-Henkel, Dorothee Impelmann, Lydia Weber
Claudia Ebbing «Interplay of Views» (E) Kunsthaus Bocholt,
EUREGIO Art Circle Bocholt E.V.
2020
Art space Ba Cologne, Cologne-Ehrenfeld Claudia Ebbing, painting (E)
«be wandering»
Claudia Ebbing and Thomas Trute Open studio, Velen-Ramsdorf
2019
«Playing with the object»
Member exhibition Kunstverein Duisburg
Duisburg Art Association (G)
27th Huntenkunst 2019, SSP-HAL, Ulft/ NL (G)
3rd art award of the city of Günzburg
Art-Off e.V. art association.
Günzburg Local Court, Award Ceremony 05/22/2019 (G).
«Poetic Interspace»
Studio Claudia Ebbing, Ramsdorf.
On the occasion of the 700-year celebration of town rights Ramsdorf (E)
2018
Art route Cologne-Ehrenfeld (G), Art space BA Cologne, Cologne Art from the region, Gravenhorst Monastery, Hörstel (G) Painting, Kerkje de Rietstap, Dinxperlo / NL (E)
Huntenkunst 2018, Ulft/NL (G)
2017
Workshop Plettenberg «The Way», Vereinigte Sparkasse im Märkischen Kreis (E)
Claudia Ebbing - painting - , Kunstraum BA Cologne, Cologne (E) Kulturhaus Oskar, Bochum (E)
Art House Zendscheid (G)
Huntenkunst 2017, Ulft/NL (G)
2016
Spardatag Duisburg, Kunstverein Duisburg (G)
«preserve us», St.-Georgs-Church, Gelsenkirchen (G)
Huntenkunst 2016, Ulft/NL (G)
«being human» (peace pennant) performance/exhibition, St.-Walbur- ga-Church, Ramsdorf
«Kreativikum Eilbeck,» Maren Goldenbaum-Henkel studio, Hamburg (G) «Ganz frei 5», member exhibition Kunstverein Duisburg
2015
«Ganz frei», member exhibition Kunstverein Duisburg «Freiraum», Plettenberg Art Association (G)
art’pu:|l, rolling mill Pulheim (G)
Kunsthaus Zendscheid (G)
Nomination for the Bloom Award by Warsteiner
2014
Contemporary Art Ruhr (C.A.R.) Zeche Zollverein, Essen, represented by Kunstverein Duisburg e. V. (G)
Huntenkunst 2014, Ulft/NL (G)
Kunsthaus Zendscheid
«GANZ FREI 2», member exhibition of the Kunstverein Duisburg (G)
2013
«City Identities» Ab/An/Aus/Einsichten, Velen-Ramsdorf (E). «Animalia», Art and Gallery House Bochum-Wattenscheid (G) Huntenkunst, Ulft/NL
2012
Art Contemporary Gallery Croissant, Brussels/Belgium «Ganz frei», Kunstverein Duisburge. V. (G) Huntenkunst, Ulft/NL
Member exhibition Duisburger Kunstverein e. V. (G)
2010
Containertransit - Project in the context of the Capital of Culture Ruhr 2010 (G)
Art Forum Duisburg
Pittstowe Artspacez, Roermond/NL
De Vasim, Nijmegen/NL
Kunstraffinaderij, Nijmegen/NL
Showroom Stichtig G. A. N. G., Arnhem/NL
Art in the Office, Duisburg-Homberg (G)
2009
Member exhibition Duisburger Kunstverein e. V. (G) «Free painting» (G)
Art and Gallery House Bochum-Wattenscheid
2008
Exhibition series «Profiles and Positions
with Dorothee Impelmann, Duisburger Kunstverein e. V. (G)
2007
«Free Painting» (G)
Art and gallery house Bochum-Wattenscheid «About the state of things» (G)
Duisburger Kunstverein e. V.
2005
«Dialogue with nature», Ramsdorf (E)
Claudia Ebbings paintings are asian-like, meditative and somewhat nostalgic. They are snapshots of the emergence of a memory that blurs. She is inspired by antic photos, traces of thought and current events mix and become new narratives.
The design language and color palette are reduced to the essentials.
Nature often appears abstract and surreal.
In this way, the viewer has space for his individual experience in the paintings. The children shown often seem lonely and lost in the landscape of a fairy tale. These representations took from a collection of archaic photos, with characters in traditional suits, often appear serious and
profound.
The combination of these unreal landscapes and mysterious children creates the necessary ambivalence and poetics to question the viewer in his relation with nature.
Nach Winfried Kirch, Kirches-Ban.de